lawrence abu hamdan

music is rather boring. die eigentliche klangforschung wird immer mal öfter nicht von komponist_innen oder musiker_innen betrieben.
hier ist ein must-see vortrag von lawrance abu hamdan über politik des hörens :

bei der documenta14 in athen läuft grade ein projekt von ihm : « birdwatching » : eine beendrückende arbeit über das hören im gefängnis saydnaya, in dem menschen mit stille gefoltert werden : keinen einzigen klang dürfen sie produzieren. so wird jeder small sound zu einer gefahr : ein zeichen dafür, dass ein wächter kommt.

in 2016 lawrence abu hamdan worked with amnesty international and forensic architecture to produce an acoustic investigation into the syrian regime prison of sayndaya 25km north of damascus, where over 13,000 people have been executed since the protests in 2011 began. the prison is inaccessible to independent observers and monitors. the memory of those few who were released is the only resource available from which to learn of and document the violations taking place there. however, the capacity of detainees to see anything in saydnaya was highly restricted as mostly they were kept in darkness, blindfolded or made to cover their eyes. as a result, the prisoners developed an acute sensitivity to sound. abu hamdan worked with survivors’ earwitness testimony to help reconstruct the prison’s architecture and gain insight as to what is happening inside. since the investigations completion abu hamdan has been developing a growing body of evidence that pertains to the projects more fragile truths; works in which human memory, architecture, violence, and the processes of reconstruction are entangled and become irreducible to the language and urgency of human rights and advocacy.

saydnaya (the missing 19db) is the first of a series of articles of evidence produced by abu hamdan that pertain to the projects more fragile truths. the installation presented here is an automated scenography containing a sound work and a light box. the sound piece is played back in a darkened room from a dimly lit mixing desk/sound board on which the volume controls are motorized and autonomously move according to the voices one is hearing in the room. the light box documents the way in which the whisper of the inmates became 4 times quieter after the 2011 protests began; showing a decreasing sound level, from right to left, of a voice speaking at normal conversational volume, a voice demonstrating the level at which one could speak in saydnaya before 2011 and finally the level at which one could speak after the 2011 protests. the 19 decibel drop in the capacity to speak stands as testament to the transformation of saydnaya from a prison to a death camp. in these 19 decibels we can hear the disappearance of voice and the voice of the disappeared.

(danke, efi!)

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